I really, really was into the first half or so of
Breaking Dawn,
but did not like the second half at all. I read the first half or so immediately after
Eclipse
and
absolutely couldn't put the book down until the end of the birth scene. I thought it was really intense and I was totally engrossed. Then, afterwards... what a let down. For starters, I actually was a little disappointed that she had to 'cross over.' I understand the reasons why, but it was so much more interesting to me before she did. And the way they told Charlie was totally hokey. I didn't think that part was written well at all. Jacob's new love interest seemed a little bizarre, but it did keep everyone in the same family so I guess I can live with it. And the vampire showdown? It went out with a whimper instead of a bang, didn't it?
Oh, well, now it's over, and I can feel great that once again this 40-ish woman is up on a small portion of pop culture. It's difficult keeping up with the youngsters, but the Twilight series (at least most of it) made it a little more fun to do so. Now I'm just looking forward to the release of the movies!
2008, 754 pp
[Disclosure: This book was not received from the publisher. It's hard to admit, but I actually purchased a copy.]
I must confess that I read this book to kill three birds with one stone. I needed a 'Y' title, a Canadian book, and a fantasy book so I could fit it into three challenges. I had always wanted to read de Lint anyway, so it seemed like a good fit. But, it really wasn't. This was my first foray into urban fantasy and while I'm not giving up on it yet, I don't know if I really like the genre.
Cat Midhir is an isolated Canadian fantasy writer who finds inspiration through her dreams. Suddenly, though, she has a severe writer's block and cannot find the reason for it. She confides in Peter, a bookshop owner, and the two become friends. Peter helps her to open up and even thinks he can fix her up with his friend Ben. Meanwhile, Cat soon realizes she is being stalked and is afraid to go to her own home at night. Afraid of being alone, she begins spending more and more time with Peter.
This story actually reminded me a bit of
Lisey's Story
by Stephen King. I was uncomfortable with aspects of that story, and was even more so with this one.
Yarrow
was much too gritty for my taste, but I'm usually in the minority on that score. On the positive side, de Lint knows how to build characters. I really, really liked the 'good guys' in this and really hated the bad ones. I probably will try at least one more of de Lint's books before I make a final judgment. Any suggestions?
Mistik Lake
by Martha Brooks is about a Canadian teenage girl who is trying to cope with a myriad of issues. One of Odella's parents struggles with alcoholism and abandons the family. Odella, the oldest of her siblings, tries to maintain order for the rest of her household while also dealing with the typical trials of the teenage years.
While I did enjoy certain aspects of the story, particularly the discussions on the characters' Icelandic heritage, I'm afraid this book suffers from what I call 'everything AND the kitchen sink' syndrome. With themes of guilt, identity, alcoholism, abandonment, and h*mos*xu*ality -- just to name a few, this book just had too much going on with the story in order for it not to feel a bit contrived. I just really believe that young adult novels, particularly short ones, are more effective when they deal with only one or two major issues. That is probably just a personal preference, though. Your mileage may vary.
I read this book because I needed an 'I' author and another book that fit the Canadian Challenge. This short novel is essentially about two sisters' obsession with Yoshi Takahshi, their Japanese concert pianist neighbor. I love classical music so I was hoping music would play a big part in the story. Although music obviously plays a role, the bulk of the plot centers around the girls' adoration of Yoshi.
The girls use every excuse they can to visit him and even start to decorate their rooms in a spartan, Japanese style. Yoshi encourages the girls and even invites them to accompany him on an overnight trip to one of his concerts. As you can probably guess, a s*xual situation develops. The book flashes back and forth from when Jean and Collette were young teenagers and both had crushes on Yoshi to the present in which they are now grown. Even as adult women, their obsession continues.
I most enjoyed the parts of the book where it concentrated on Jean's struggle to continue on with her own music -- especially the conversation she has with her father, also a musician. This book was the basis for a Canadian film called
The Pianist
(different than the film with the same name starring Adrien Brody).
There's no denying that Nabokov is a great writer. In fact, I'd love to read more by him -- just on a different subject. I had a hard time rating this book as the subject matter is so despicable, but settled on 3 stars because of Nabokov's writing ability. A large part of the rating also goes to the excellence in Jeremy Irons' narration. I absolutely love his voice, but then again, he was almost too good as the narrator for Humbert Humbert. I have not seen the movie with Irons in the starring role.
I won't repeat the storyline here, as everyone should know the basic outline of it. My question is, why did Nabokov even feel the need to write this story? I've heard one reviewer say that Nabokov makes us root for Humbert Humbert over Lolita. Not so. Not with me, anyway. A great writer Nabokov is. A great character Humbert Humbert is not.
"And what stood in their way? Their personalities and pasts, their ignorance and fear, timidity, squeamishness, lack of entitlement or experience or easy manners, then the tail end of a religious prohibition, their Englishness and class, and history itself. Nothing much at all."
Didn't care for it. I liked
Atonement
only marginally better. I read
On Chesil Beach
because it was short and I could use it for the Novella and Notable Books challenges. I also wanted to give Ian McEwan another chance.
Edward and Florence are both novices to s*x on their wedding night, and the experience doesn't turn out too well for them. The consequences of this event have serious repercussions for the couple, even life-changing ones. I enjoyed the back-stories of the couple, but the wedding night scene was too graphic for my taste. Really, can't the same thing be said in a more understated, tasteful way? I realize I'm in the minority on things like this, but certain language and descriptions just really don't do it for me. Your mileage probably varies.
2007, 203 pp.
Rating:
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But love your enemies, and do good, and lend, expecting nothing in return, and your reward will be great, and you will be sons of the Most High, for he is kind to the ungrateful and the evil. Be merciful, even as your Father is merciful. (
Luke 6:35-36
,
ESV
)
Mistik Lake
I read this book because I needed an 'I' author and another book that fit the Canadian Challenge. This short novel is essentially about two sisters' obsession with Yoshi Takahshi, their Japanese concert pianist neighbor. I love classical music so I was hoping music would play a big part in the story. Although music obviously plays a role, the bulk of the plot centers around the girls' adoration of Yoshi.
There's no denying that Nabokov is a great writer. In fact, I'd love to read more by him -- just on a different subject. I had a hard time rating this book as the subject matter is so despicable, but settled on 3 stars because of Nabokov's writing ability. A large part of the rating also goes to the excellence in Jeremy Irons' narration. I absolutely love his voice, but then again, he was almost too good as the narrator for Humbert Humbert. I have not seen the movie with Irons in the starring role.
